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2025粤港澳大湾区国际青年音乐周乐团考试流程
2025 YMCG Orchestra Application

递交申请
Applications

请在2024年11月17日之前提交所有申请。

报名范围:18至30岁之间的西洋管弦乐器演奏者。

请准备好电子版个人证件照片及身份证件(身份证、居留证、护照)正反面扫描图片。


请您准备所有相关考试片段,自行决定是否带伴奏。本次我们只接受线上视频考试。请将您的考试视频以MP4视频格式上传到百度网盘Google Drive,每个视频文件需以英文重命名为“乐器—姓名—片段名”,例如“Cello-Zhang San-Beethoven Sym. No.5”,单个视频文件不超过300 MB。上传后将网盘链接贴在报名表内相应的栏目中。


Applications must be submitted no later than November 17, 2024 ONLINE

We accept orchestral instrument players between the ages of 18 and 30.

To apply, please kindly prepare your personal ID card/resident card/passport (scanned pictures of both sides).

You should prepare excerpts listed for your instrument. It is up to you to provide an accompanist. We accept online video auditions only. We require a video which you can send via your preferred file sharing service (Baidu Netdisk or Google Drive). Each video file must be renamed in English as "Instrument-Name-Excerpt Name", for example "Cello-Zhang San-Beethoven Sym. No.5". A single video file should not exceed 300 MB. After uploading, please paste the network disk link in the corresponding column in the registration form.


乐器类别

Instrument Categories


我们将招收以下乐器:小提琴、中提琴、大提琴、低音提琴、长笛(兼短笛)、双簧管(兼英国管)、单簧管(兼高音和低音单簧管)、巴松管(兼低音巴松管)、圆号、小号、长号、低音长号、大号、定音鼓、打击乐(镲、三角铁和小鼓)、竖琴。


We will be auditioning for the following instruments: violin, viola, cello, double bass, flute (incl. piccolo), oboe(incl. English Horn), clarinets (incl. Eb and bass clarinet), bassoon (incl. Contrabassoon), horn, trumpet, trombone, bass trombone, tuba, timpani, percussion (cymbal, triangle and snare drums), harp.


视频考试内容

Tape Audition Excerpts


弦乐:

小提琴
协奏曲:自选一首古典或浪漫主义时期小提琴协奏曲的第一乐章
乐队片段(需演奏全部片段)
理查·施特劳斯:《唐璜》(第一小提琴:开头-排练记号D)
莫扎特:第三十九交响曲(第一小提琴:第四乐章呈示部)


中提琴
协奏曲:沃尔顿或巴托克中提琴协奏曲第一乐章呈示部
乐队片段(需演奏全部片段)
门德尔松:《仲夏夜之梦》(谐谑曲)
理查·施特劳斯:《唐璜》(开始 – 排练记号D)


大提琴
协奏曲:自选一首古典或浪漫主义时期大提琴协奏曲的第一乐章
乐队片段(需演奏全部片段)
贝多芬:第五交响曲(第二乐章:开始-排练记号C)
勃拉姆斯:第二交响曲(第二乐章:开始-排练记号A)


低音提琴
协奏曲:自选一首博特西尼、库赛维斯基或罗塔低音提琴协奏曲第一乐章呈示部
乐队片段(需演奏全部片段)
贝多芬:第五交响曲(第三乐章:开始 – 排练记号A之后5小节;中段 – 排练记号B之后23小节)
理查·施特劳斯:《英雄生涯》(排练记号9 – 排练记号12之后6小节)
莫扎特:第三十五交响曲(第四乐章:第134小节 – 第181小节)
马勒:第一交响曲(第三乐章:独奏部分)

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木管:

长笛

协奏曲:莫扎特G大调或D大调长笛协奏曲第一乐章呈示部
乐队片段(需演奏全部片段)
德彪西:《牧神午后》前奏曲(开头 ;排练记号2 – 排练记号3)
拉威尔:《达芙妮与克罗埃》第二组曲 (排练记号176 – 排练记号179)
门德尔松:《仲夏夜之梦》(谐谑曲)
勃拉姆斯:第四交响曲(第四乐章:排练记号D之后13小节 – 排练记号E之前8小节)


短笛
贝多芬:第九交响曲(第四乐章)
拉威尔:《鹅妈妈》组曲(第三乐章:排练记号1 – 排练记号4,仅需要演奏分谱第二行)


双簧管
协奏曲:莫扎特双簧管协奏曲(第一和第二乐章)
乐队片段:

以下段落二选一:
拉威尔:《库普兰之墓》(前奏曲 ;小步舞曲)
罗西尼:《软梯》序曲(开始 – 排练记号3)
以下段落二选一:
勃拉姆斯:小提琴协奏曲(第二乐章:开始 – 第32小节)
理查·施特劳斯:《唐璜》(排练记号L – 排练记号N)


英国管(可选乐器,需演奏全部片段)
德沃夏克:第九交响曲(第二乐章)
拉威尔:G大调钢琴协奏曲(第二乐章:排练记号6 – 排练记号9)


单簧管
协奏曲:莫扎特:单簧管协奏曲,K622(第一乐章呈示部)

乐队片段:
降B调和A调单簧管(需演奏全部片段)
贝多芬:第六交响曲(第一乐章:第474小节–第492小节;第二乐章:第68小节–第77小节;第三乐章:第114小节–第133小节)(降B调单簧管)
柯达伊·佐尔坦:《加兰塔舞曲》(第31小节–第65小节)(A调单簧管)
马勒:第一交响曲(第一乐章:排练记号17前4小节–排练记号19;第二乐章:排练记号8–排练记号9;第三乐章:排练记号13后1小节–排练记号17;第四乐章:排练记号39开始演奏5小节)

降E调单簧管(可选乐器,需演奏全部片段)
柏辽兹:《幻想交响曲》(第五乐章:排练记号63–排练记号65前4小节)
肖斯塔科维奇:第五交响曲(第二乐章:排练记号49–排练记号54;排练记号63–排练记号64前4小节;排练记号69–排练记号70)
马勒:第一交响曲(第三乐章:排练记号13后6小节–排练记号17)


低音单簧管(可选乐器,需演奏全部片段)
肖斯塔科维奇:第一小提琴协奏曲(第二乐章:排练记号23–排练记号24后13小节)
马勒:第一交响曲(第一乐章:开头第5小节–排练记号1前5小节;排练记号4后6小节-排练记号5)


大管
独奏曲目:
第一部分(二选一)
韦伯:F大调巴松协奏曲(第一乐章:第41小节-第118小节)
莫扎特:降B大调巴松协奏曲(第一乐章:第35小节-第71小节)
第二部分:
莫扎特:降B大调巴松协奏曲(第二乐章:第7小节-第20小节)

乐队片段(需演奏全部片段):
莫扎特:《费加罗的婚礼》序曲(第101小节 – 第123小节;第139小节 – 第171小节)
J.S.巴赫:C大调第一乐队组曲,BWV 1066(第一乐章:第49小节-第71小节)
拉威尔:波莱罗舞曲(排练记号2 – 排练记号3)
马勒:《第一交响曲》(第三乐章:排练记号2– 排练记号3)

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铜管:

圆号
协奏曲:莫扎特《降E大调第四圆号协奏曲》第一乐章(演奏到主题再现前)
乐队片段(自选两段)
勃拉姆斯:第三交响曲(第三乐章:排练记号F – 排练记号G)
理查·施特劳斯:《英雄生涯》(开始 – 排练记号1后5小节)
贝多芬:第九交响曲(第四圆号:第三乐章:第82小节 – 第98小节)
拉威尔:G大调钢琴协奏曲(第一乐章:排练记号25 – 排练记号26)

必选片段(需演奏全部片段):
马勒:《第一交响曲》
第一圆号:第一乐章:排练记号1-排练记号3;排练记号15开始演奏12小节
第四圆号:第三乐章:排练记号13后4小节 –排练记号14后2小节


小号
协奏曲:海顿:小号协奏曲(第一乐章呈示部和发展部)

乐队片段
以下段落二选一:
比才:《卡门》前奏曲
穆索尔斯基/拉威尔:《图画展览会》(长廊:开始 – 排练记号2)

以下段落二选一:
舒曼:第二交响曲(第一小号和第二小号:第一乐章:开始13小节)
理查·施特劳斯:《唐璜》(排练记号F – 排练记号G)


长号
协奏曲:大卫《长号协奏曲》第一乐章(不包括华彩)

乐队片段(需演奏全部片段):
拉威尔:波莱罗(第一长号独奏部分:排练记号10-11)
瓦格纳:《唐豪瑟》序曲(排练记号A – 之后44小节)
莫扎特:安魂曲(号角声起)
罗西尼:《威廉·退尔》序曲(第一次进入 – 之后40小节)


低音长号
海顿:《创世纪》第26首(开始 – 排练记号C)
柯达伊:《哈利·琼斯》组曲(第四乐章)
雷斯庇基:《罗马的松树》(第二乐章:卡塔科巴墓地的松树)
舒曼:第三交响曲(第四乐章:开始 – 排练记号A后13小节)


大号
普罗科菲耶夫:第五交响曲(第一乐章:排练记号3 – 排练记号6)
雷斯庇基:《罗马的喷泉》(第三乐章:中午的特莱维喷泉:排练记号11 – 排练记号14)

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定音鼓与打击乐:

定音鼓

克鲁格:练习曲第45首
贝多芬:第七交响曲(第一乐章:第89小节 - 排练记号C之后2小节;排练记号H - 第299小节;第315小节 - 第388小节;第409小节-结尾)
巴托克:乐队协奏曲(间奏曲:第42小节 – 第50小节)
弗兰克·马丁:为7种管乐器、定音鼓、打击乐器和弦乐队而作的协奏曲(排练记号18后6小节 –排练记号22后7小节)



德沃夏克:随想谐谑曲(排练记号Q – 结束)
拉赫玛尼诺夫:第二钢琴协奏曲(第三乐章:排练记号32 – 排练记号33)


三角铁
勃拉姆斯:第四交响曲(第三乐章:排练记号I – 结束)
李斯特:第一钢琴协奏曲(排练记号E – 排练记号H)


小鼓
普罗克菲耶夫:《基日中尉》交响组曲(排练记号1-排练记号2;排练记号8-排练记号9;排练记号13-排练记号14)


竖琴:

乐队片段(需演奏全部片段):

拉威尔:茨冈(华彩)
柴科夫斯基:天鹅湖(华彩)
威尔第:《命运之力》序曲
马勒:C大调第五交响曲(第四乐章小柔板:开头–排练记号2)
巴托克:乐队协奏曲(第四乐章:间奏曲)


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Strings

Violin

Concerto: First movement of a classical or romantic violin concerto (own choice)
Orchestra Excerpts (all of them):
R. Strauss: First violin-Don Juan (Beginning to letter D)
Mozart: First violin - Symphony No.39 (Fourth Mvt exposition)


Viola

Concerto: Exposition of the first movement of Walton’s or Bartok Viola Concerto.

Orchestra Excerpts (all of them):

Mendelssohn: A Midsummer Night’s Dream (Scherzo)

R. Strauss: Don Juan (beginning to fig. D)



Cello

Concerto: First movement of a classical or romantic cello concerto (own choice)

Orchestra Excerpts (all of them):

Beethoven: Symphony No.5 (2nd Mvt, beginning to fig. C)

Brahms: Symphony No.2 (2nd Mvt, beginning to fig. A)



Bass

Concerto: Exposition of the first movement of a romantic concerto. Chose between Bottesini, Koussevitsky, Rota. 

Orchestra Excerpts (all of them):

Beethoven: Symphony No.5 (3rd Mvt, beginning to 5 after fig. A and Trio to 23 after fig. B)

R.Strauss: Ein Heldenleben (fig. 9 – 6 bars after fig. 12)

Mozart: Symphony No.35 (4th Mvt, bars 134 – 181)

Mahler: Symphony No.1 (3rd Mvt solo)


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Woodwind


Flute

Concerto: Mozart: Flute Concerto G or D major – 1st Mov (exposition only)

Orchestra Excerpts (all of them):

Debussy: Prélude à l’après-midi d’un faune (opening and figs.2 – 3)

Ravel: Daphnis and Chloé, Suite 2 (figs. 176 – 179)

Mendelssohn: A Midsummer Night’s Dream (Scherzo)

Brahms: Symphony No.4 (4th Mvt, 13 after fig. D to 8 before fig. E)



Piccolo

Beethoven: Symphony No 9 (4th Mvt)

Ravel: Ma Mère l’Oye Suite, (3rd Mvt, figs 1 – 4, bottom line only)



Oboe

Concerto: Mozart: Oboe Concerto (first and second Movement)

Orchestra Excerpts

Choose one of the two:

Ravel : Le Tombeau de Couperin (Prelude and Menuet)

Rossini: Overture to La Scala de Seta (beginning to fig. 3)

Choose one of the two:

Brahms: Violin Concerto (2nd Mvt, beginning to bar 32)

R Strauss: Don Juan (figs. L – N)



Cor Anglais / English Horn(play both)

Dvorak: Symphony No 9 (2nd Mvt)

Ravel: Piano Concerto in G major (2nd Mvt, figs.6 – 9)



Clarinet

Concerto: Mozart - Clarinet Concerto K622 1st Mov (exposition only)

Orchestra Excerpts (for Bb and A Clarinet, play all the excerpts)

Beethoven: Symphony No. 61) Mvt I – bars 474 to492 (in Bb) 2) Mvt II – bars 68 to 77 (in Bb) 3) Mvt III – bars 114 to 133 (in Bb)Kodály: Dances of Galanta – bars31-65 (in A)

Mahler: Symphony No. 11) Mvt I -  4 bars before fig. 17 untilfig. 19 2) Mvt II - figs. 8 until 9 3) Mvt III - 1 bar after fig.13 until fig. 17

4) Mvt IV - fig. 39 for 5 bars



Eb Clarinet [only students who want to play Eb, play all the excerpts]

Berlioz: Symphonie Fantastique, Mvt V – fig. 63 to 4 bars before fig. 65

Shostakovich: Symphony No. 5 1) Mvt II – fig. 49 tofig. 54 2) Mvt II – fig. 63 to 4 bars before fig. 64; fig. 69 to fig. 70  

Mahler: Symphony No. 1 1) Mvt III - 6 Bars after fig. 13 until fig. 17



Bass Clarinet [only students who want to play Bass Clarinet, play all the excerpts]

Shostakovich: Violin Concerto No. 1, Mvt II – fig. 23 to 13 bars after fig. 24

Mahler: Symphony No. 11) Mvt I–5th bar from beginning until 5 bars before fig. 1 

2) Mvt I–6 bars after fig. 4 untilfig. 5



Bassoon

Solo Repertoire

Part1: select 1

Weber: Bassoon Concerto in F major, 1st Mvt,bars 41-118

Mozart:Bassoon Concerto in Bb major, 1st Mvt. bars 35-71 

Part 2

Mozart: Bassoon Concerto in Bbmajor, 2nd Mvt, bars.7-20

Orchestra Excerpts (all of them):

Mozart: Overture, The Marriage of Figaro (bars 101 - 123 ; bars139 – 171)

J.S. Bach: Orchestral Suite No. 1 in C major, BWV 1066 (Mvt 1,bars 49-71)

Ravel: Boléro (figs. 2-3)

Mahler: Symphony No. 1(3rd Mvt Satz, figs. 2-3)


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Brass


Horns

Concerto: Mozart's Horn Concerto No. 4 in E-flat major – First movement (up to before the Recap).

Orchestra Excerpts (Pick 2 experts between)

Brahms: Symphony No.3 (3rd Mvt, figs. F – G)

R Strauss: Ein Heldenleben (beginning to 5 after fig. 1)

Beethoven: Symphony No.9 (3rd Mvt, bars 82 – 98, 4th horn)

Ravel: Piano Concerto in G (1st Mvt, figs. 25 – 26)

Mandatory for everyone:

Mahler: Symphony 1

1st horn: 1st mvt fig. 1-3 (first entrance after 1) and fig. 15 for 12 bars

4th horn: 3rd mvt – 4 after fig. 13 until (and including) 2 after fig. 14



Trumpet

Concerto: Joseph Haydn, Trumpet Concerto (1st movement, Exposition and development)

Orchestra Excerpts:

Choose one of the two:

Bizet: Prelude to Carmen

Mussorgsky/Ravel: Pictures at an Exhibition (Promenade, beginning to fig. 2)

Choose one of the two:

Schumann: Symphony No.2 (1st Mvt, first 13 bars (1st and 2nd trumpets)

R Strauss: Don Juan (figs. F to G)



Trombone

Concerto: First movement of David’s concerto (without cadence)

Orchestra Excerpts (all of them):

Ravel: Boléro (Solo First Trombone: figs. 10-11])

Wagner: Tannhäuser (Overture) (fig. A -44 bars after)

Mozart: Requiem (Tuba Mirum)

Rossini: Overture to William Tell (first entrance to 40 bars after)



Bass Trombone(play all)

Haydn: The Creation (No. 26) (beginning to fig. C)

Kodály: Háry János Suite (4th Mvt)

Respighi: Pines of Rome: II Pini presso una catacomba

Schumann: Symphony No. 3 (4th Mvt, beginning to 13 after fig. A)



Tuba (play both)

Prokofiev: Symphony No.5 (1st Mvt, figs. 3-6)

Respighi: Fontane di Roma: La fontana di Trevi al meriggio (figs. 11-14)


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Timpani and Percussion(play all)


Timpani

Kruger : Etude No.45

Beethoven:Symphoy No.7 (1st Mvt, bar 89 to 2 bars after fig.C & fig.H to bar 299 & bar 315 to 388; bars 409 to the end)

Bartók: Concerto for orchestra: Intermezzo interrotto(bars 42 - 50)

Franck Martin: Concerto pour 7 instruments a vent (6 bars after fig. 18 to 7 bars after fig. 22)



Cymbals

Dvorak: Scherzo Capriccioso (fig. Q to end)

Rachmaninov: Piano Concerto No. 2 (3rd Mvt, figs. 32-33)



Triangle

Brahms: Symphony No. 4 (3rd Mvt, fig. I to end)

Liszt: Piano Concerto No.1 (figs. E to H)



Snare Drums

Prokofiev: Lieutenant Kijé Suite Symphonique (figs.1-2) (figs.8-9) (figs.13-14) 



Harp (play all the excerpts)

Ravel – Tzigane, quasi cadenza

Tchaïkovski – Le lac des cygnes, cadence

Verdi – Overture to La forza del destino

Mahler – Symphony No. 5, Adagietto, beginning until fig. 2 “Fliessender”

Bartók – Concerto for Orchestra, 4. Satz: Intermezzo Interrotto


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您可以通过以下链接下载考试乐谱:
You can download the audition music parts by following this link:


百度网盘  Dropbox

或复制以下链接到浏览器进行访问
Or copy and paste the following link in your browser:

百度  https://pan.baidu.com/s/15z97geP4dgFyvYcIODLnmw?pwd=k21t

Dropbox  https://www.dropbox.com/scl/fo/5ht1vdz1vrwer3svx96ie/AOp1B7oqIqd3lyVrhHSm_5g?rlkey=cnk42i7poysvcov6kezqkc4t7&st=nsung8pj&dl=0





费用
Financial terms

参与本次音乐周期间的学费及当地食宿,由活动主办方负责;学员所在城市至音乐周举办城市的往返差旅费用需自理。


*YMCG项目设有奖学金计划。将综合招生考试情况及学员个人情况,为个别迫切需要协助的优秀的YMCG乐团成员提供从所在城市至音乐周举办城市间的一定额度的往返差旅支持。我们鼓励申请者上传提供任何有助于您获得奖学金的个人信息补充资料。


我们将从录取学员中择优选取获得YMCG奖学金,提供从所在城市至音乐周举办城市间一定额度的往返差旅支持。我们鼓励申请者上传提供任何有助于您获得奖学金的个人信息补充资料。


Tuition fees and local accommodation will be provided throughout the 2025 YMCG; Travel expenses between student's residence and Guangzhou are at student's own expense.


*A YMCG Scholarship will be awarded to a select group of accepted participants to provide a limited amount of round-trip travel support from their city to the city where 2025 YMCG will be held. We encourage applicants to upload any additional personal information that may be helpful to you in obtaining the scholarship.


联络方式
Contact

如果您想联系YMCG,请发送电子邮件 ymcg@gso.org.cn
If you wish to contact YMCG please email: ymcg@gso.org.cn





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